Subscribe to our newsletter and never miss another BGMC or NCTM event!
Artistic Director
Dr. Robert Strauss has served as Artistic Director of the Buffalo Gay Men's Chorus since 2018, leading the organization through a period of artistic growth, expanded community engagement, and the launch of its sister ensemble, the Nickel City Treble Makers. An accomplished conductor, stage director, performer, and educator, Rob has directed the Genesee County All-County Chorus, Rochester Gay Men's Chorus, Nardin Academy Women's Chorus, Radford University Women's Chorus, and church choirs throughout North Carolina, Virginia, West Virginia, and New York.
As a stage director, music director, and chorus master, Rob has worked on productions including Amahl and the Night Visitors, Così fan tutte, Dido & Aeneas, L'enfant et les sortilèges, Felice, Man of La Mancha, Godspell, Oklahoma!, and many others. As a performer, favorite roles include Peter Quint (The Turn of the Screw), Tony (West Side Story), Archibald Craven (The Secret Garden), and Pedrillo (Die Entführung aus dem Serail). Most recently, he appeared with Buffalo Opera Unlimited as Parpignol in La Bohème and Don Curzio in Le nozze di Figaro.
Rob holds degrees in Vocal Performance from West Virginia University, the University of North Carolina at Greensboro, and SUNY Fredonia. His honors include the Faculty Merit & Service Award from the Greensboro Music Academy, the Poummit Faculty Recognition Award from the Fredonia School of Music, and induction into the Kenmore East Performing Arts Hall of Fame. He is Past President of the Upstate New York Chapter of the National Association of Teachers of Singing and is an active member of the American Choral Directors Association.
Assistant Artistic Director
Mason Battle is thrilled to join the creative team of the Buffalo Gay Men's Chorus and the Nickel City Treble Makers as Assistant Artistic Director. A passionate music educator and conductor, Mason is dedicated to creating inclusive musical experiences that inspire singers of all ages while fostering artistic excellence and a strong sense of community.
Mason currently serves as the Middle School Choir Director at Depew Middle School, where he leads multiple vocal ensembles and cultivates a lifelong appreciation for choral music. In addition to his work in the classroom, he is a member of the directing team for the Depew High School Musical program, contributing his musical expertise to productions including The Sound of Music, Charlie and the Chocolate Factory, and The Addams Family. His work with student performers reflects his commitment to developing confidence, musicianship, and a love of collaborative performance.
He earned his Bachelor of Science in Music Education from SUNY Buffalo State University and is currently pursuing a Master of Music Education at SUNY Fredonia. Mason is passionate about the power of choral music to build meaningful connections, celebrate diverse voices, and strengthen communities. He is excited to share his energy, creativity, and educational experience with the Buffalo Gay Men's Chorus and the Nickel City Treble Makers as they continue inspiring audiences through music and advancing their mission of creating accessible queer spaces for change.
Collaborative Pianist
Tim Dyet is an accomplished pianist, music director, educator, and performer whose versatility and passion for music have made him a respected figure throughout Western New York's performing arts community. He holds a Bachelor of Music from Nazareth University and has pursued additional studies at Mansfield University, SUNY Fredonia, and Berklee College of Music.
As a music director, Tim has led numerous theatrical productions, including She Loves Me, On the Town, Dirty Rotten Scoundrels, and Into the Woods. His extensive performance experience includes appearances with local jazz ensembles, theater pit orchestras, and the alternative funk/rock band Strange Standard, a regular performer at the Music is Art Festival. He has also served as a substitute organist for the Buffalo Sabres and has been a featured musician at the Lewiston Jazz Festival.
A dedicated educator, Tim maintains a private music studio where he teaches piano, voice, organ, trombone, and accordion to students of all ages. He has also served on the music faculties of Niagara County Community College, Niagara University, and St. Bonaventure University, inspiring the next generation of musicians.
Beyond the stage, Tim is an active participant in The Ride for Roswell, completing annual 100-mile rides to support cancer research and patient care. The Buffalo Gay Men's Chorus is honored to welcome Tim as its Collaborative Pianist, where his artistry, professionalism, and enthusiasm enrich the musical experience of both singers and audiences alike.
GABRIELLE RUDE
NCTM,
Director of Small Ensemble
CHERYL JOHNSON
Choreographer
GEORGE ALPHONCE
Costume Coordinator
Props
Board President
Board Vice-President
Board Secretary
Board Member
Board Member
Board Member
Board Member
Board Member
Co-Treasurer / Bookkeeper
GALA28, Chair
Co-Treasurer / Bookkeeper
Webmaster
Graphic Designer
Concert Programs
Nominating, chair
At the end of 1999, the vision for a Gay Men’s Chorus in Buffalo was conceived. This chorus would offer a voice that would build bridges within the community through song, and music that would lift the spirits of listeners and singers alike. Guided by Roger Parris, a vigorous group of men explored this concept thoroughly. With the support and success of the Rochester Gay Men’s Chorus to encourage them, these men decided that it was time for Buffalo to join the growing list of GLBT choruses all over the world. After 15 months of intense work, a Steering Committee led by Parris, Mike Longo, Jeff Wilson, Bob Rose, Jim Estep, Bill Fay, Bill Gardner, Russell Link, Michael Bardo and many others, had written by-laws, filed papers of incorporation, and held fundraisers raising over $5000 in seed money. The final steps of creating a mission statement and electing the first officers of the organization. After an extensive search, area choral conductor, Barbara Wagner, was asked to be the charter Artistic Director. Wagner, in turn, brought on Debi Overton to serve as the Charter Accompanist. Both women, being highly respected musicians, would serve the chorus well. In fact, Wagner was to join the ranks of only four female conductors of Gay Men’s Choruses throughout the country. In 2007, the number dwindled to only two, Kathleen McGuire, Artistic Director of the San Francisco Gay Men’s Chorus and Wagner.
The first auditions ...
...were held in May, 2001. To the organizers’ surprise, there were 30 men lined up in the halls of the Unitarian Universalist Church of Buffalo waiting to sing for the Artistic Director. By day’s end there were 36 chorus members. By month’s end there were 45. Soon there would be a dozen more. Rehearsals began on September 11, 2001 a day of infamy that would be filled with national horror, fear and death. The decision was made to go on with the rehearsal on a day that was destined to alter the course of history. There was controversy around that decision, but, at the end of the day, it proved to be a wise one. Forty men, many of whom didn’t know each other began to gather, eerily silent, in the Alliance Room of the Unitarian Church. As the men and Wagner held hands for the very first time in a community circle, there were anguished murmurs of meditation and prayer. It was a birth fraught with complications and anxiety. They sang - “from you I receive, to you I give, together we share and from this we live.” They learned “How Can I Keep From Singing” and began forging the bonds that still hold them together to this day. “How Can I Keep From Singing” was to become their theme song and was the very first music the audience heard as the BGMC processed down the aisles of the Unitarian Universalist Church for the first time. That inaugural concert “Music From the Heart,” presented on February 9, 2002, set the tone for all concerts to follow. The energy that filled the church that night validated the reality of the Buffalo Gay Men’s Chorus, and the bonds formed that night continue to remain strong all of these years later. The audience that night was huge - the church was filled, chairs lined the aisles and sadly, people had to be turned away at the door. All concerts after that were offered twice in one weekend and six years later, they are considering adding a third concert to each series and a third performance of each one. Their audiences continue to be huge and diverse, and the BGMC performs pieces in English, French, Italian, Latin, Spanish, German, Hebrew, Zulu, and Swahili, and feature sign language interpretation for the deaf and hard of hearing. The BGMC has also commissioned two pieces for their concerts: the six-part Adamic Songs, featuring poems by Walt Whitman with music by Roland E. Martin; and Yes!, a poem by Countee Cullen, the Harlem Renaissance writer, set to music by Adolphus Hailstork.
...coming as they grew in stature and musical expression. Three awards from Artvoice’s “Best in Buffalo” proclaim them “Best Chorus.” They have been invited to sing on the stage of Kleinhans Music Hall with the Buffalo Philharmonic Orchestra twice - once for a subscription concert in 2004 and later for a benefit for the orchestra and the Olmsted Conservancy in 2006, with Maestra JoAnn Falletta conducting. Mary Louise Nanna, founder and conductor of Ars Nova asked them to sing on her Viva Vivaldi Series. BGMC was recognized by the Empire State Pride Agenda in 2005 with the ESPA Award for Community Service for the excellence of their music and their dedication to the community. In March 2008, the BGMC was chosen to receive the prestigious Buffalo and Erie County Arts Council Award for exceptional contributions to the arts and cultural community in Western New York. The citation reads as follows:
“Your nomination and selection to receive this award is a testament to the years of time, talent, personal and professional resources you have invested in supporting, promoting and advancing art and culture in our region. You are an outstanding model of leadership by example.”
Their success has brought many requests from worthy organizations to perform benefit concerts, and they try very hard to honor these. They have received grants and gifts and much support from both the gay community and the community at large along the way and they are eager to give back.
A major force in the success of BGMC has been the impressive dedication of the all volunteer chorus itself. These men take the chorus’ artistic ambitions seriously: they are resolute rehearsal attendees and have worked hard to build their choral skills. The chorus’ social impact on the community at large has been unprecedented and immense. The very existence of this chorus in a relatively conservative community has helped make enormous strides in acceptance and equality for the GLBT community here. In addition to enlightening the community at large, the chorus has been an important factor in raising the self esteem of a historically marginalized society. Its high profile has established the BGMC as a positive model for those who are grappling with the negativity all too often imposed on homosexuals. And so the hard work continues with each note sung by the intrepid men of the Buffalo Gay Men’s Chorus.
Some of the Benefit Concerts for which the BGMC has raised their voices:
World AIDS Day Memorial Services
AIDS Community Services Annual Fundraisers, “Cause for Celebration”
Domestic Violence Awareness Fundraiser
Fundraiser on behalf of Police Officer Patricia Parete
CARES Benefit for the University of Buffalo Dental School
AIDS Family Services, 2 Benefit Concerts
Katrina Relief Funds, Benefit Concert
North West Pennsylvania Rural AIDS Alliance and the Unitarian Universalist Church of Erie Pennsylvania, Benefit
Southern Tier AIDS Community Services and the Katharine Jackson
Carnahan Foundation Benefit
Habitat for Humanity Benefit Concert
Concert benefiting roof repairs at Blessed Trinity Roman Catholic Church
Amherst Unitarian Universalist Church, Benefit Music Program
Tree Lighting Ceremony for Women’s and Children’s Hospital
Benefit for the Darwin Martin House (Frank Lloyd Wright, architect)
Benefit Concert for and with the Buffalo Philharmonic Orchestra and the Olmsted Conservancy
Mark’s Place, Niagara Falls, NY, Benefit Concert
St. Paul’s Cathedral, Youth Program, Benefit Concert
MOCHA project presents Creating Hope Through Art
We have also provided complimentary tickets to their performances for GLYS (Gay and Lesbian Youth Services), and Gay and Straight Alliances in schools.
Albright Knox Art Gallery, Gusto at the Gallery Series
Blessed Trinity Roman Catholic Church
Botanical Gardens
Buffalo Bisons Baseball Stadium, National Anthem
Buffalo Convention Center
Church of the Ascension
Elmwood Festival of the Arts
Erie Basin Marina
First Baptist Church, Niagara Falls
First Presbyterian Church
First Presbyterian Church, Viva Vivaldi Series
Fredonia Opera House
Hamilton Collegiate Center, Jamestown Campus, Jamestown Community College
Hochstein School of Music, Rochester
Holy Trinity Lutheran Church
HSBC Bank Auditorium
Kleinhans Music Hall, Buffalo Philharmonic Orchestra, 2 concerts
Langston Hughes Center
Masonic Lodge, Erie, Pennsylvania
Montante Center of Canisius College
North Presbyterian Church
Orchard Park United Methodist Church
Orchard Park Presbyterian Church
Performing Arts Center, Rockwell Hall, Buffalo State College
Performing Arts Theater of Ithaca, NY
Pride Parades and Performances
Roush Recital Hall, Fredonia State Campus
St. Paul’s Episcopal Cathedral
Statler Towers Golden Ballroom
Tacoma Performing Arts Center
Temple Beth Zion
The Nichols School
The Performing Arts Renaissance Theater in Montreal, GALA International Festival
Trinity Episcopal Church
Trinity Lutheran Church of Buffalo
Trinity United Church, Beamsville, Ontario
Unitarian Universalist Church of Amherst
Unitarian Universalist Church of Buffalo
Westminster Presbyterian Church